Half Lives

Poetry
is just like mining Radium,
said Mayakovsky.
He was right,
in more ways than he imagined.

STFC: Success

OBSESSED WITH INVISIBLE DETAILS
— ▉▊▋▍▎▏ (@n__l) May 1, 2013

I convened a bunch of friends and weirdos together Tuesday night for the inaugural round of SECRET TWITTER FILM CLUB. The result, as you might gather from the title, was an smashing success.

Results can be viewed & perused here.

Cocktails, murder, and treason: a stay at the McKittrick Hotel

[Cross-posted from the Duncan/Channon Tumblr, because attribution is forever.]

I am somewhere in midtown Manhattan, in the 20s near the High Line. I am watching MacBeth murder Banquo with a brick, put on his suit jacket, and sprint out. I follow. My nose is sweating under my mask, it’s dark and hard to see, and I end up losing him around a corner. But I notice an interesting (and more sparsely attended) interaction going on across the hall between one of the witches and the god-fearing tailor, and veer over to watch that. Why does she have a key around her neck? What does it unlock? And who is that lost-looking young woman with the suitcase?

Welcome to the McKittrick Hotel, home to Sleep No More, an immersive theater experience that just might be New York’s best show and worst-kept secret. With zero advertising, they’ve been able to consistently sell out shows at rates of $75 to $95 per ticket, with high repeat visits, some up to seven or eight times.

It had been something I’d been meaning to see since it opened, but hadn’t quite found the right time/friends/money over the last two years. But, on hearing rumors that the British-based group that put it on will finish up their run in June and head back across the pond, I knew it was something I had to jump on.

I went last Sunday with a friend, though we were quickly separated in the opening rush of action. This was actually a preferable outcome, as we were able to compare notes afterward (“You didn’t see the strobe-light witch rave?” “You didn’t see Lady MacBeth and the out-damn-spot?”)

The design was amazing, building out a world of shops, bars, cemeteries, forests, and darkly-haunted nurseries into five stories of warehouse. The light and sound had a sculptural quality typically limited to installation art. Being as site-specific as it was, the result was a mind-blowing union of set design and choreography: dancers would haul each other up to run on the walls and vault over pool tables, or slither through exposed stone windows. The performances were wordless, physically-demanding, and just this side of otherworldly.

If you’re in New York in the next month, go. Take friends. Get there early. Wear shoes you can sprint in. Consider taking a lock-picking class. Read the Sparknotes for MacBeth and watch Hitchcock’s Rebecca. Practice running up flights of stairs at full speed. And remind yourself that even then, you’re not going to see everything, but you’re going to see great things. And perhaps, if you are lucky and daring, you’ll get to be the one that gets taken aside, ushered into the locked room, and trusted with a dark secret. If not, well, now you understand why people are coming back half a dozen times.

Score: FIVE OUT OF FIVE BLOODY DAGGERS

Sleep No More runs at The McKittrick Hotel, 530 West 27th Street, New York, NY. Running time varies depending on entrance time, but is between 2 and 3 hours. Performances begin nightly between 7 and 8pm, with additional late night performances Friday and Saturday starting between 11pm and midnight. Tickets must be purchased in advance at http://www.sleepnomorenyc.com/


[Pictures via Mordicai]

The Thin Duke's Testament

A channelling of the existential dandy, with apologies to Messrs. Mann, Marinetti, Nietzsche, and Bowie.

////////

Do not presume to know whence I came, nor what I expect.

My sickness began early. From man I expected divine virtue or hair-raising wickedness; from life either ravishing loveliness or else consummate horror; and I was full of avidity for all that and of a profound, tormented yearning for a larger reality, for experience no matter what kind, let it be glorious and intoxicating bliss or unspeakable, undreamed-for anguish.

Do not fear lest I go on to recount my disappointments in detail. Enough to tell you that I learned to hate the poets for what they made me crave.

What is the mark of decadence? The whole no longer resides in the part.  The whole no longer lives at all: it is composite, calculated, artificial, and artifact. We are those calculations, we are the artifacts, because it is the only honest occupation left.

It is my favorite activity to gaze at the starry heavens by night, standing quite alone, like lighthouses or the sentinels in an outpost, facing the army of enemy stars encamped against us. Perhaps it may be pardoned in me that I still cling to my distant hopes, waiting for the divine invasion to unchain all horizons and give me something to feel. We are the Fifth Column for the ecstatic.

We are chameleons, shape-shifters, immaculate travelers between worlds. We walk, we stroll, we amble, we leap, we drag vicious beasts on leashes, all with the grace of effortless effort. Everything we do is art.

We are of the present, the eternal Now. When we have turned decrepit, let those younger and stronger souls cast us aside like useless manuscripts. They will crowd around us, exasperated by our proud indefatigable courage. They will hurl themselves forward to destroy us, with all the more hatred as their hearts will be drunk with love and admiration for us.

I have no reason to die unless it is the desire to be rid of the too great weight of my courage.

Let us don white and stroll through the darkness that roars, seeing and being seen.

Let us feed the unknown, not from despair, but simply to enrich the unfathomable reservoirs of the Absurd.

Let us now praise the senses – the only true proofs of existence.

Here I am, flashing no colour, tall in this room overlooking the ocean

Every mask I wear becomes a shield, a weapon, a horse, a home.

Here I am again, a vision in blank, throwing darts in lovers' eyes.

Take refuge in the mirror. Bind your reflections with that well-knotted necktie, 

(Silk, to be sure. Nothing less, and nothing more.)

Come live with me in the mirror; there we might better share our echoes.

Here we are again, donning velvet armor and striding forth to seek, to strive, to find, and not to yield

Here we are.

One moment to spin dreams and shout forth an insolent challenge to the stars.

One moment, this moment. 

Here we are again.

Take it while you have it.